Like any magic worth an incantation, Harry Potter and The Cursed Child, opening on Broadway at the Lyric Theater tonight, depends on unspoiled illusions, a delight in life’s wonders and the skills to present it all as if no one had ever even considered its combinations before, much less pulled them off. I won’t spoil any illusions – the production itself handles the rest. Cursed Child is a marvel, a shape-shifting play that effortlessly incorporates music and…
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