What does it mean for a romance to take the shape of a murder investigation? In a Lonely Place, Nicholas Ray’s elegantly bitter film about damaged trust, throws that question at its viewers. If all love stories are inquiries of one kind or another, the movie seems to suggest, perhaps they differ only in their relative violence. When filming began, Ray was married to its female lead, Gloria Grahame; by the time it ended, they were living apart. Ray said it was ‘a very personal film’ – and as parting gifts go, it was both poisonous and immortal.
from London Review of Books http://ift.tt/2ImWo6J
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